Jesse Allison is a leading figure in sonic art technology, theory, and practice. Holding the position of Associate Professor of Experimental Music & Digital Media at Louisiana State University, Dr. Allison conducts research as part of the Cultural Computing focus at the Center for Computation & Technology. Before joining LSU, he played a key role in founding the Institute for Digital Intermedia Art at Ball State University. Additionally, he contributed to the establishment of Electrotap, an innovative media arts organization. His research interests span a wide range, including computer interactivity in performance, distributed music systems, mobile music, interactive sonic art installations, hybrid worlds, and multi-modal artworks. These artworks can be experienced through various means, reflecting his commitment to exploring new possibilities in the sonic arts. Dr. Allison has showcased his work at prestigious events such as the Pixilerations Festival, NIME, Siggraph, Techfest Mumbai, ICMC, Boston Cyberarts Festival, TedX, and SEAMUS. Through his research and creative endeavors, he continues to push the boundaries of sonic art and technology.

Stephen David Beck holds the prestigious position of Haymon Professor of Composition and Computer Music. He is affiliated with the Center for Computation & Technology, where he previously held roles such as Area Head for the Cultural Computing focus area and Director of the AVATAR Initiative in Digital Media. From 2008 to 2010, he served as Interim Director of the center.During his Fulbright Fellowship in 1985-1986, Dr. Beck conducted research at IRCAM in Paris. His current research interests encompass sound diffusion systems, high-performance computing applications in music, and virtual music instruments. These instruments are interactive computer programs designed to enhance the performance capabilities of acoustic instruments.Dr. Beck's compositions and writings have been published by renowned publishers including G. Shirmer, MIT Press, and the Computer Music Journal. He actively shares his research findings at international conferences and currently holds the positions of Music Coordinator and Regional Director (Americas) of the International Computer Music Association. Moreover, he has held leadership roles in SEAMUS, including the presidency from 1996 to 2000.

Graham Wakefield is an Associate Professor in the Department of Computational Arts at York University. He leads research at the Alice lab for Computational Worldmaking, focusing on computational arts, virtual and mixed reality interactivity, and software engineering. Dr. Wakefield is both an artist and a researcher, contributing to scholarly research and creating works of art.His research-creation approach is grounded in a trans-disciplinary academic background encompassing interactive art, music, virtual/augmented reality, mathematics, and philosophy. This is complemented by extensive professional experience in software engineering for creative coding in audio-visual, interactive, and immersive media. Internationally, Graham is known for his immersive and mixed-reality art installations. Notably, he collaborates with artist/researcher Haru Ji on the ongoing series Artificial Nature since 2007. These artworks offer experiences of nature reimagined, inviting participants to become integral components of interactive ecosystems. They bridge the gap between biology and computation, exploring aesthetic experiences in generative, open-ended environments.Additionally, Graham contributes to the software development field as a developer for Cycling ’74. He co-authored the Gen software, widely used by tens of thousands in the media arts environment of Max/MSP/Jitter.

Shin Chang-ho is a professor at the School of Dance at the Korea National University of Arts and the director of the Laboratory Dance Project. He obtained his Bachelor's and Master's degrees in Dance from the Korea National University of Arts and his Ph.D. in Dance from Sungkyunkwan University. Additionally, he received a GDP diploma from the Trinity Laban Conservatoire of Music & Dance in the UK. He has worked as a guest choreographer at the Innsbruck Tiroler Landestheater in Austria and as a member of the St. Gallen Stadttheater in Switzerland. His notable choreographic works include "A Little Discomfort," "No Comment," "Stain of Human," and "Shout Shout." His major performance history includes the Frankfurt Book Fair (2005), Venice Dance Biennale (2006), and Jacob’s Pillow Dance Festival (2011). His awards include the 2012 Today's Young Artist Award, the 2009 Dance Arts Award for Choreography, and the 2017 Contemporary Dance Special Award from the Korean Contemporary Dance Association.

Bo Choi is a fashion designer and innovative artist. With a primary focus on new media art and fashion design, she envisions clothes as both rendering sex plicitly their capacity to represent the self, as well as building upon, and breaking with, past conventions to allow an endless refashioning of the self disallowed by the limited vocabulary of much art and fashion today. For the last ten or more years, she has been known as a visual artist, a digital media artist, and a fashion designer and invited to numerous shows worldwide. She completed her MFA in 2009 in Fiber at the University of Washington, Seattle, WA. Her undergraduate studies in fashion design and studio art were at the University of California, Davis. Previously, as a fashion designer, she created a fashion line that explores and transgresses the typical ways the body contour interacts with clothing. Choi's solo fashion show "Second Skin" was presented at the Jacob Lawrence Gallery at the University of Washington, Seattle. She was a finalist at the InspirAsain Fashion Competition, hosted by International Examiner, where her wearable art line was presented at the Bell Harbor Conference Center. Internationally, she has given her designs at the Wearable Art Awards in Port Moody, BC, Canada, and was invited to Spell on the City, The 7th Seoul International Media Art Biennale. In addition, she had residencies at Kulturprojekte in Berlin, Germany, and at the Hambidge Center for Creative Arts &Sciences in GA with The Rogers Fellowship for Textiles Arts at NMARA in Seoul, South Korea. She taught fashion design for over ten years at Sanford-Brown College, Seattle. She was a lecturer at Eskenazi School of Art, Architecture + Design at Indiana University, Bloomington, and a professor of practice at Tulane University. Currently, she is a full-time tenure track faculty at North Seattle College.

Roh Jinah studied fine arts at Seoul National University and earned her MFA from the School of the Art Institute of Chicago and PhD in Art & Technology from Sogang University. She is currently an assistant professor at Kyunghee University. Since 2002, she has been working on interactive humanoid robots and real time interactive art works which combine traditional sculpture and new media that interact with audiences. Roh has been interested in humans and nonhumans that have been redefined throughout the development of technological civilization. She translates the technological and philosophical implications of this relationship into a dialog which poses questions about the life of human and machine.